![Installation view, Bony Ramirez: Cattleya, The Newark Museum of Art. Photo by Richard Goodbody](https://newarkmuseumart.org/wp-content/uploads/2024/02/Bony-12.jpg)
Currently On View
![Installation view, Bony Ramirez: Cattleya, The Newark Museum of Art. Photo by Richard Goodbody](https://newarkmuseumart.org/wp-content/uploads/2024/02/Bony-12.jpg)
Installation view, Bony Ramirez: Cattleya, The Newark Museum of Art. Photo by Richard Goodbody
![Animal Kingdom child in gallery Newark Museum of Art](https://newarkmuseumart.org/wp-content/uploads/2022/04/Animal-Kingdom-child-in-gallery.jpg)
![](https://newarkmuseumart.org/wp-content/uploads/2025/01/Craft-Exhibition-1-1440x1008.jpg)
Installation view, Contemporary Craft, The Newark Museum of Art. Photo by Richard Goodbody.
![Yinka Shonibare, CBE, Party Time: Reimagine America Photo by Richard Goodbody Newark Museum of Art Ballantine House](https://newarkmuseumart.org/wp-content/uploads/2022/03/Dining-Room-01-1440x960.jpg)
Yinka Shonibare, CBE, Party Time: Reimagine America, 2009. Mixed media. Purchase 2010 Helen McMahon Brady Cutting Fund | 2010.5.1‑66. © Yinka Shonibare, CBE. Photo by Richard Goodbody
![](https://newarkmuseumart.org/wp-content/uploads/2025/01/B.H.-11-2023_23-1-1440x966.jpg)
Installation view, Noelle Lorraine Williams, Stay: The Black Women of 19th‑Century Newark, 2023, The Ballantine House, The Newark Museum of Art. Photo by Richard Goodbody.
![](https://newarkmuseumart.org/wp-content/uploads/2025/02/B.H.-11-2023_34.jpg)
Installation view, Jewelry: from Pearls to Platinum to Plastic, 2023, The Newark Museum of Art. Photo by Richard Goodbody.
![Installation view, “Surrealism and Abstract Expressionism,” in Seeing America 20th-21st Century, The Newark Museum of Art. Photo by Mike Peters.](https://newarkmuseumart.org/wp-content/uploads/2023/08/030719_1846_Newark-Museum-Seeing-America-1-1440x1080.jpg)
Installation view, “Surrealism and Abstract Expressionism,” in Seeing America 20th‑21st Century, The Newark Museum of Art. Photo by Mike Peters.
![Pepón Osorio, En la barberia no se llora (No Crying Allowed in the Barbershop), 1994 Mixed media. Purchase 1996 The Members' Fund and through funds provided by A T & T NEW ART/NEW VISIONS | 96.28.2.1-64. Courtesy of Pepón Osorio and P·P·O·W, New York](https://newarkmuseumart.org/wp-content/uploads/2023/08/96.28.1-2-new-1440x1261.jpg)
Pepón Osorio, En la barberia no se llora (No Crying Allowed in the Barbershop), 1994
Mixed media. Purchase 1996 The Members' Fund and through funds provided by A T & T NEW ART/NEW VISIONS | 96.28.2.1‑64. Courtesy of Pepón Osorio and P·P·O·W, New York
![Installation view, Terence Hammonds, Black Abolitionists Wallpaper Newark Museum of Art The Greek Slave](https://newarkmuseumart.org/wp-content/uploads/2022/02/Newark-Exhibition-05-cropped-1440x1002.jpg)
Installation view, Terence Hammonds, Black Abolitionists Wallpaper, 2022‑23 and Hiram Powers, The Greek Slave, 1847. Seeing America: 18th‑19th Century, The Newark Museum of Art. Photo by Richard Goodbody.
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Ongoing
Long term installations curated from across the collections